Glasgow

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At The Modern Institute, Glasgow, an exhibition filled with religious symbolism feels curiously shallow

BY Helen Charman |

The artist and DJ’s first solo show at Tramway, Glasgow, is a stunning exploration of West African music

BY Tom Hastings |

A characteristically understated exhibition at The Modern Institute uses light and domestic materials to allude to inimical forces at play in the home

BY Helen Charman |

The last work by the artist leaves us in the company of painting’s favourite shape

BY Jamie Limond |

In the context of increasingly sadistic attacks on Muslim people, the Glasgow-based artist provides a space for grief and dreaming

BY ​Hussein Mitha |

‘Gray’s presence is painted on the city; he’s a local, living myth’

BY Figgy Guyver |

‘It showed the power of placing something dumb and ugly next to something glorious’

BY Hettie Judah |

For her very first solo show, the artist brings her own biography onto the walls of Glasgow’s Transmission Gallery

BY Chris Sharratt |

A exhibition at Glasgow’s Gallery of Modern Art is part of a series of events across Scotland marking the centenary of the filmmaker’s birth

BY Chris Sharratt |

In a Victorian-era baths in Glasgow, the artist stages her largest performance project to date, featuring a 24-woman swim team

BY Chris Sharratt |

In the unashamedly populist ‘Rip It Up’ at the National Museum of Scotland, the joy of fandom resounds but questions about the future are avoided

BY Stewart Smith |

Cancelled events and financial woes have left neighbours such as CCA and its cultural tenants in a state of limbo

BY Chris Sharratt |

The artist's tightly choreographed show about surveillance culture at Koppe Astner, Glasgow

BY Chris Sharratt |

At this year’s GI festival, directed by Richard Parry, a future-focused assemblage of what it means to be human

BY Tom Jeffreys |

From Linder at the Women’s Library to rare paintings by Serge Charchoune, the exhibitions to see outside of the main programme

BY Chris Sharratt |

The Barbadian filmmaker, recipient of this year’s Margaret Tait Award, is intent on disrupting institutional complacency

BY Chris Sharratt |

The gallery argues that the funding body is no longer supportive of institutions that maintain a principled refusal of professionalization

BY Chris Sharratt |

The Modern Institute, Glasgow, UK

BY Chris Sharratt |

With his current solo show on at GoMA in Glasgow, the artist shares a selection of influential images

BY Aaron Angell |

Gaming tools allowed audiences to wander through natural landscapes as stages for environmental activism or psychological thrillers, at Sonica 2017

BY Laura Robertson |