Gran Fury

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Features
The Pope, the Penis and the Phone

Avram Finkelstein looks back on Gran Fury’s contribution to the 1990 Venice Biennale, The Pope and the Penis, and considers how the immediacy of social media might have impacted the AIDS activist collective

BY Avram Finkelstein |
Reviews
Make AIDS Visible: Gran Fury's Provoking Billboards

An exhibition at Auto Italia, London, shows the artist group's belief in the potential of visual language to infiltrate public discourse

BY Eliel Jones |
Opinion
Why We Painted Over David McDiarmid’s ‘I’m Too Sexy To Have AIDS’ Posters

When confronted with a deeply damaging past, it becomes necessary to take action to return us to the present

BY ACT UP London |
Frieze
Never Enough

AIDS activism now and then – 25 years of ACT UP and Gran Fury

BY Jennifer Kabat |
Interviews
Queer

An interview with Simon Watney

BY Stuart Morgan |