Gregg Bordowitz

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The activist and videomaker’s adaptation of Nikolai Erdman’s The Suicide (1928) is a production of pure absurdity in the face of mortality

BY Mackenzie Lukenbill |

Writers Gregg Bordowitz, Pamela Sneed, Sur Rodney (Sur) and Lynne Tillman discuss how the AIDS crisis changed art writing, and what lessons writers might carry over to the Covid-19 pandemic