Paired together at Meredith Rosen Gallery, New York, Friedman-Pappas explores the continuing drive toward industrialization while Black critiques the world of racial capitalism born from it
The artist and author’s new novella, ‘Tuesday or September or The End’, imagines an alternative collective future
From Hannah Black to Not Surprised, the changes demanded by today’s letter writers are still a long way from being assured
In other headlines: Trevor Bell (1930-2017); further allegations of sexual harassment in the art world; The Walker’s Olga Viso steps down
Ways of talking about race and appropriation: Claudia Rankine, Hannah Black and Tate Modern’s ‘Black Art, Black Power’ conference
Rózsa Farkas talks about Frieze Tate Fund’s acquisition of Hannah Black’s Intensive Care/Hot New Track (2013)
Tate Senior Curator Andrea Lissoni reveals the four works acquired at Frieze London 2017
Lawrence Abu Hamdan, Hannah Black, Mary Beth Edelson and Dorothy Iannone selected by jury
Whitney Museum of American Art, New York, USA
The Emmett Till painting saga continues; Guggenheim Abu Dhabi ‘should be postponed or downsized’ says former director
Trisha Brown has died, aged 80; two new appointments at London’s ICA; controversy at the Whitney
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A report from the festival on feminism and public space in Hamburg
Why is abjection making a comeback?