Hito Steyerl

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Stephen Squibb on the tactics of untruth, from Martha Rosler to Hito Steyerl

BY Stephen Squibb |

An insight into the 2019-20 Serpentine Digital Commissions

In Collaboration with Serpentine Galleries

Artists, curators and gallerists may not be able to stop war, but we can tell those who rake its profits that the arts are not open for their business

BY Sarah Jilani |

A survey of Germany’s unification events, from David Hasselhoff to Hito Steyerl

BY Sarah E. James |

With Art Toronto opening on 25 October, don’t miss out on all that the city has to offer

BY Jill Glessing |

The simplicity of the Japanese architect’s slate ‘wing’ belies its complex construction

BY Amy Sherlock |

From Marina Abramović to extinct tropical birds, seeing more than what’s there

BY Matthew McLean |

The artist addressed the ‘elephant in the room’ – that London’s Serpentine gallery bears the Sackler name

BY Frieze News Desk |

At an 18th-century neoclassical manor house, this year’s Cinema Camp was inspired by the writings of the late Cuban filmmaker Julio García Espinosa

BY Leo Goldsmith |

Hito Steyerl’s Duty Free Art and A Field Guide to the Snowden Files

BY Tom Overton |

Guggenheim pull pieces from Chinese art show after animal rights protests; Berlin’s Volksbühne occupied; vandalism at Skulptur Projekte Münster

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

A report from the 47th edition of the annual photography festival

BY Simon Bowcock |

A report from the 2016 edition of Rhizome’s Seven on Seven conference

BY Matthew Shen Goodman |

A round-up of the best current shows in the city

BY Summer Guthery |

56th Venice Biennale, various venues, Italy

BY Jennifer Higgie |

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is a flop. ‘Dreadful’, 'dire’, 'depressing’ are some of the more printable adjectives I’ve heard to describe it. ‘Venice is Bad' was the insightful email header from a supposedly serious art news source.

BY Paul Teasdale |

Museu Colecção Berardo, Lisbon, Portugal

BY Joana Neves |

Q. If you could live with only one piece of art, what would it be? A. Why should I live with an art work?

BY Hito Steyerl |

The 55th Venice Biennale

BY Jörg Heiser |