Hito Steyerl

Showing results 1-20 of 24

Stephen Squibb on the tactics of untruth, from Martha Rosler to Hito Steyerl

BY Stephen Squibb | 15 SEP 20

An insight into the 2019-20 Serpentine Digital Commissions

In Collaboration with Serpentine Galleries

Artists, curators and gallerists may not be able to stop war, but we can tell those who rake its profits that the arts are not open for their business

BY Sarah Jilani | 12 NOV 19

A survey of Germany’s unification events, from David Hasselhoff to Hito Steyerl

BY Sarah E. James | 05 NOV 19

With Art Toronto opening on 25 October, don’t miss out on all that the city has to offer

BY Jill Glessing | 23 OCT 19

The simplicity of the Japanese architect’s slate ‘wing’ belies its complex construction

BY Amy Sherlock | 21 JUN 19

From Marina Abramović to extinct tropical birds, seeing more than what’s there

BY Matthew McLean | 20 MAY 19

The artist addressed the ‘elephant in the room’ – that London’s Serpentine gallery bears the Sackler name

BY Frieze News Desk | 10 APR 19

At an 18th-century neoclassical manor house, this year’s Cinema Camp was inspired by the writings of the late Cuban filmmaker Julio García Espinosa

BY Leo Goldsmith | 22 AUG 18

Hito Steyerl’s Duty Free Art and A Field Guide to the Snowden Files

BY Tom Overton | 25 OCT 17

Guggenheim pull pieces from Chinese art show after animal rights protests; Berlin’s Volksbühne occupied; vandalism at Skulptur Projekte Münster

26 SEP 17

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

17 AUG 16

A report from the 47th edition of the annual photography festival

BY Simon Bowcock | 19 JUL 16

A report from the 2016 edition of Rhizome’s Seven on Seven conference

BY Matthew Shen Goodman | 24 MAY 16

A round-up of the best current shows in the city

BY Summer Guthery | 29 MAR 16

56th Venice Biennale, various venues, Italy

BY Jennifer Higgie | 28 MAY 15

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is a flop. ‘Dreadful’, 'dire’, 'depressing’ are some of the more printable adjectives I’ve heard to describe it. ‘Venice is Bad' was the insightful email header from a supposedly serious art news source.

BY Paul Teasdale | 09 MAY 15

Museu Colecção Berardo, Lisbon, Portugal

BY Joana Neves | 16 FEB 15

Q. If you could live with only one piece of art, what would it be? A. Why should I live with an art work?

BY Hito Steyerl | 12 NOV 13

The 55th Venice Biennale

BY Jörg Heiser | 14 SEP 13