Showing results 1-16 of 16

The Frieze Projects artist discusses her practice

A new show at Goldsmiths CCA shows us the ways the Scottish humourist made the comical his life’s work

BY Samuel Reilly |

On the eve of his two retrospectives in Paris, the artist discusses the works that have shaped his practice and thinking

BY Roee Rosen |

On Alan Clarke’s Rita, Sue and Bob Too, the death of Ian Brady, and what laughter might conceal

BY Jonathan P. Watts |

From Umberto Eco on fascism to Thomas Pynchon’s stand-in: what to read this weekend

BY Paul Clinton |

At what point does a doodled line become a nose? The paintings of Allison Katz

BY Kirsty Bell |

Dada's centenary and the importance of absurdity

BY Jennifer Higgie |

Mortality, madness and misgivings in the work of Bedwyr Williams

BY Jonathan P. Watts |

New Museum, New York, USA

BY David Reisman |

Illustration and art history collide in Sanya Kantarovsky’s paintings

BY Scott Roben |

How Darren Bader has pushed the readymade to its extreme

BY Domenick Ammirati |

The consistently inconsistent career of Scottish artist Bruce McLean

BY Colin Perry |

In defence of irony

BY Lynne Tillman |

Rashid Johnson talks to Tom Morton about fiction, humour and homage

BY Tom Morton |

Dan Fox talks to Michael Smith about minimalism, comedy and failure

BY Dan Fox |

Nine theses on slapstick

BY Brian Dillon |