Ian Cheng

From an exhibition that positions paintings as ‘Popstars’ in Tokyo to the inaugural group show of a new curatorial collective in Dubai

Two videos at Gladstone Gallery, Seoul displace their viewers into the role of aides to the algorithm

Cass Fino-Radin on what it means to keep projects like Ian Cheng’s BOB (2018–19) alive

From Naama Tasbar’s sound installation at the Bass Museum, Miami, to Diane Severin Nguyen’s K-pop video on modern-day revolution, here are the must-see shows in the US. 

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

At the DeYoung, San Francisco, ‘Uncanny Valley’ deftly examines the consequences of our capitulation to AI

In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose

A 20-artist group show at MAXXI Gallery, Rome, draws lines between surrealism, computer simulation and new forms of algorithmic intelligence

Opening date set for Louvre Abu Dhabi; London’s Carroll/Fletcher closes; Kate Millett dies at 82

Jace Clayton discovers hyper-intelligent dogs and violent humans in the artist’s computer-simulated worlds

Various venues, Liverpool, UK

The difference between ‘what if’ and ‘as if’ scenarios, and what contemporary art has to do with it

Aoife Rosenmeyer selects the city's best current shows

What it's like to stand on the precipice of virtual reality

Fondazione Sandretto Re Rebaudengo, Turin, Italy

Pilar Corrias, Maria Stenfors & Max Wigram Gallery, London, UK

Hans Ulrich Obrist's collection Think Like Clouds highlights the logistical evolution of the curator’s role

How will stories be told in the future? frieze asks nine artists and writers to reflect on how narrative structures will change as technology advances

Motion-capture choreography, street fights, Looney Tunes and ‘hybrid cinema’