The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose
We tend to think of museums as holding the rare, the valuable, the precious. But MOCA was formed to tell the stories no one else thought were worth telling
A visa application system which is often opaque, bureaucratic and racist – exacerbated by the prospect of a no-deal Brexit – is becoming a headache for art workers