Issue 201

Showing results 1-17 of 17

In a special commission for frieze, the artist envisions Martian colonies informed by techno-feminism

BY Ad Minoliti | 27 FEB 19

Tanning gives full expression to her childhood imagination and its innately eclectic catalogue of fears, fantasies and domestic psychodramas

BY Claire-Louise Bennett | 25 FEB 19

Materialism, metaphysics and mysticism collide in the Shanghai-based artist’s maximalist installations

BY Gary Zhexi Zhang | 25 FEB 19

China’s triumph over Western information technology is world-historical, not just a niche curiosity

BY Audrea Lim | 25 FEB 19

‘History is full of people who just didn’t,’ reads the first line of her riveting opening essay, which also serves as a sort of statement of intent

BY Negar Azimi | 23 FEB 19

Three decades after German reunification, the artist articulates the inhumanity of right-wing terror, and how ideology lies within domestic interiors

BY Kito Nedo | 22 FEB 19

The late Brazilian artist’s retrospective at the Museum of Modern Art, Rio de Janeiro, is a delicate exploration of his multi-faceted practice

BY Fernanda Brenner | 22 FEB 19

A series of sculptures shown at Jenny’s, Los Angeles, challenge traditional categories of art 

BY Travis Diehl | 21 FEB 19

In his first comprehensive exhibition in the US, at ICA Boston, a kinetic economy of endeavour quickly emerges

BY Emma McCormick-Goodhart | 21 FEB 19

An exhibition at Boers-Li Gallery, Beijing, reflects on the rising voyeurism within changing media structures

BY Tom Mouna | 21 FEB 19

With dead ends and doors to nowhere, the recent works of the Scottish artist articulate contemporary forms of nihilism

BY Chris Fite-Wassilak | 21 FEB 19

A new collection of works by the late US novelist and filmmaker shows an artist seeking to become free in ways that most women never achieve

BY Morgan Jerkins | 21 FEB 19

Q: What do you wish you knew? A: I wish I understood the working of the cosmos in relation to us here on Earth

BY Nicholas Hlobo | 21 FEB 19

In an era marked by dishonesty, what of the age-old assumption that the eyes cannot lie?

BY Harry Thorne | 20 FEB 19

In the lead-up to his solo show at The Met Breuer, Oliver Beer talks to Jennifer Higgie about the artists, writers and composers who have shaped his thinking 

BY Jennifer Higgie | 19 FEB 19

The artist talks about butterflies, the politicization of artefacts and the lost cultural history of his Kosovar home city

BY Hettie Judah | 19 FEB 19

Alfonso Cuarón’s Roma is full of other movies, yet it ignores the political and dialectical history of movies themselves

BY Masha Tupitsyn | 15 JAN 19