Issue 206

Showing results 1-16 of 16
State of the Art

Some thoughts on transience, in art and life

BY Jennifer Higgie | 26 SEP 19

‘Kara Walker reinvents painting and drawing’s conventions, while talking about ideas that are epic in scale and deep in blood,’ Als writes

BY Hilton Als | 26 SEP 19

As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon 

BY Sean O’Toole | 26 SEP 19

In a special photo essay, the artist places her body ‘in the line of danger, admiration, rejection, description’

BY Collier Schorr | 25 SEP 19

The artist’s physically gruelling performances reflect on the black body and the possibilities of resurrection

BY Evan Moffitt | 24 SEP 19

The restless, rageful ‘No Home Record’ lures as much as it discomfits

BY Hermione Hoby | 24 SEP 19

Q. What could you imagine doing if you didn’t do what you do? A. Reading all day 

BY ​Meredith Monk | 23 SEP 19

‘Surge’ finds uneasy resonances between the 1981 New Cross fire and more recent tragedies

BY Marek Sullivan | 23 SEP 19

Motion and migration in the paintings of Frank Bowling

BY Negar Azimi | 23 SEP 19

Mimi Chu on Robertas Narkus, Nástio Mosquito, Nora Turato and more

BY Mimi Chu | 22 SEP 19

From blues to jazz to the baroque – new fiction from Claire-Louise Bennett

BY Claire-Louise Bennett | 22 SEP 19

Johnston showed how writing was performance and politics at once

BY Jennifer Kabat | 22 SEP 19

In Harding’s paintings and sculpture, the past and the present merge in a potent reflection on contemporary Australia

BY ​Hendrik Folkerts | 22 SEP 19

Drawing on his dancer’s training, Laris Cohen radically presents his body simply ‘as is’ in his performances

BY Martha Joseph | 21 SEP 19

Barbara Casavecchia on the 2019 Golden Lion-winning artist

BY Barbara Casavecchia | 21 SEP 19

As the playwright’s ‘Slave Play’ reaches a wider audience, Jameson Fitzpatrick looks at his work so far

BY Jameson Fitzpatrick | 12 SEP 19