Issue 209

Showing results 1-16 of 16
State of the Art

The art world is not the world, but what the world needs, artists need, too

BY Evan Moffitt | 28 MAR 20

Neutrality is a veil for wielding power: this is the status quo that requires resistance

BY Laura Raicovich | 27 MAR 20

The psychoanalyst Karen Horney argued that neurosis killed productive artistic practice

BY Rob Sharp | 23 MAR 20

One year into the authoritarian president’s term, Brazilian artists are pushing back against state violence and censorship by summoning the spirit of the ‘sertão’

BY Silas Martí | 23 MAR 20

Q. What should stay the same? A. Curiosity, generosity, care.

BY Beatrix Ruf | 17 MAR 20

Hardline, right-wing policies restrict entry to the country to ‘the great minds’

BY Skye Arundhati Thomas | 17 MAR 20

Five months after its abrupt closure, the LA museum shows no sign of reopening. Where does that leave the growing movement of art worker unionization?

BY Dana Kopel | 13 MAR 20

The first entirely state-funded art museum on the continent is also a relic of a turbulent political and economic history

BY Rebecca Anne Proctor | 10 MAR 20

Addressing inclusivity isn’t just about the workplace – it’s about a richer arts scene that is properly reflective of society

BY Priya Khanchandani | 06 MAR 20

In a pastoral Welsh landscape where poets once gathered, the Royal Air Force now trains pilots in warfare

BY David Birkin | 03 MAR 20

Shuttered in the city’s crackdown on independent initiatives, the artist-run space provided a model for low-budget, experimental art making

BY Carol Yinghua Lu | 03 MAR 20

Michelle Millar Fisher and Andrea Fraser discuss how to radically reshape the power structures of museums today

BY ​Andrea Fraser | 26 FEB 20

The translator of the Nobel Literature Prize winner on jet lag, death threats and insomnia in Poland

BY Jennifer Croft | 26 FEB 20

As major exhibitions at Nasher Sculpture Center, National Gallery of Art and the Museum of Cycladic Art honour the iconoclastic sculptor, novelist Hermione Hoby reflects on her six-decade career

BY Hermione Hoby | 26 FEB 20

At Converso, Milan, the artist transforms a baroque church into a playground for sculptural interventions

BY Barbara Casavecchia | 06 JAN 20