Issue 211

In an exhibition at Kunstverein München, Hill’s work from the 1960s appears prescient in its exploration of female office labour

At Marlborough, New York, the Puerto Rico-based artist builds a new pantheon from the wreckage of colonialism and Hurricane Maria 

In an exhibition organized by Studio Voltaire, the artist’s work grows at a pace with which galleries today are often unfamiliar

At Tabakalera, San Sebastián, 24 artists reflect on the algorithms that rule the world

Within the chaos murmurs an incoherent hope in this ambitious – and at times baffling – exhibition

An exhibition at Centre d’Art Contemporain, Geneva, explores writing’s role in embodiment and spiritual grounding

At Lévy Gorvy, New York, the painter reinscribes the female gaze into art history

With shades of the flâneur, the artist wanders the German philosopher’s rural retreat at Todtnauberg in a new series of short films

The artist’s exhibition at Haus der Kunst, Munich, examines empirical uncertainty and political disillusionment 

In the artist’s survey exhibition at The Power Plant, Toronto, surreal references to the decades-long conflict blur the lines between bodies and objects, dreams and reality

These unusual and little-known early works from the 1960s revel in flawed functionality

‘New Images of Man’, curated by Alison Gingeras at Blum & Poe, Los Angeles, is ‘part homage, part radical revision’ of the eponymous exhibition

In the context of increasingly sadistic attacks on Muslim people, the Glasgow-based artist provides a space for grief and dreaming

The artists’ joint presentation at MoMA considers the ways human biology both coexists with – and is subsumed by – modern technology

The paintings and woodcuts at Tokyo’s Taka Ishii Gallery miss something in their nostalgia for an older vision of image-making