issue 232

Taras Gembik draws attention to the plight of migrants in Warsaw

A profile of the teenage band that went from viral sensation to international rock stars

On the 50th anniversary of the Roe v Wade ruling, Megan Nolan analyses how women's anger has been fetishized in film and literature

McKenzie Wark shares how techno made her feel at home in her body

On the occasion of the centennial of the artist’s birth, Lynne Tillman offers a close reading of a lesser known photograph

The artist speaks about his archive, homosexuality, migration and the power of activism in India

The artist and photographer confronts the ethical considerations made when photographing teenagers, and how they turn the camera onto themselves

The artist’s new film, Powwow People, recreates the Indigenous dance gatherings that play a role in Native community formation

Twenty-five years since its publication, the correlations between power, wealth and ecology depicted in Davis's book remain utterly relevant

Kelly Akashi, Gina Fischli, Atiéna R. Kilfa, Sung Hwan Kim and Jordan Strafer tell us about early important encounters with art

Terence Trouillot profiles the maverick painter, reflecting on how the artist’s work is intertwined with his community and personal histories

After fleeing the city in 2014, Kateryna Aliinyk remembers the landscape of her childhood

The director of Ukraine’s Museums Crisis Centre discusses her work to preserve her country’s cultural heritage

Nikita Kadan reflects on what it has meant to exhibit in the EU since the Russian invasion

At Museum der Moderne Salzburg, the artist rebels against the limits of traditional media

'Queering Photography’ at C/O Berlin and ‘Queering the Crip, Cripping the Queer’ at Schwules Museum explore representations of identity, gender, disability and sexuality

At Kunsthalle Münster, the artist canonizes contemporary history in his riotous first institutional solo exhibition outside of Poland

At a retrospective at Museo de Arte Miguel Urrutia, Bogotá, 40 years of the collective’s work demonstrates their trans-disciplinary explorations of Colombian histories of violence and displacement

‘STAND’, at The Watermill Center, New York, is the most comprehensive survey to date at the institution that jumpstarted the artist’s 50-year career

The artists’ installations of components retired from the whisky-distillation process explore sound, labour and materiality