Issue 239

Showing results 1-20 of 38

The artist’s sculptural installations and films sit at the heart of a debate about Eurocentrism in the arts

BY Wilson Tarbox |

Karim Aïnouz’s debut feature film presaged contemporary discussions on gender performativity, racial violence and identity politics

BY Fernanda Brenner |

On the occasion of the artist’s retrospective at Raven Row, London, Matthew McLean revisits Untitled (Diana)

BY Matthew McLean |

Tracing the movement’s emergence and its current role in shaping digital culture

BY Orit Gat |

How do we read The Sexual Life of Catherine M in the age of #MeToo and autofiction?

BY Brian Dillon |

A personal essay on the importance of friendship and the ascendancy of Asian American stories in the mainstream

BY Simon Wu |

Five curators, artists and writers discuss the impact of AI models like ChatGPT on artistic production

Fifty years after the debut of Wilson’s Life and Times of Joseph Stalin, a friend and collaborator remembers her time with the director

BY Robyn Brentano |

Twenty years after the film’s release, does it still turn you on?

BY Shiv Kotecha |

How the artist's dedication to perfection and relentless work reflects the religious undertones of the American work ethic

BY Paul Chan |

The artist speaks about how poetry and song can bridge social movements, connecting people in the face of adversity

BY Hajra Waheed AND Wassan Al-Khudhairi |

At the National Gallery of Art, Vilnius, the artists challenge dominant interpretations of wetlands as a hostile and undeveloped space

BY Valentina Sansone |

At WIELS in Brussels, the artists present a multimedia dystopia of disenchanted desires and endless searching

BY Stanton Taylor |

At Layr, Vienna, a group exhibition reminds viewers of the culture-crossing and nonconformist possibilities of artworks

BY Mitchell Anderson |

At W-galería, the artist collaborates with Guaraní weavers in a decolonial project of self-representation 

BY Rosario Güiraldes |

​At Sprüth Magers, the artist visually renders our hackneyed vocabularies around anxiety and care

BY Pablo Larios |

At Sargent’s Daughters, New York, empathetic oil paintings suggest healing through revisitation

BY Bryan Martin |

At Rinde am Rhein, Düsseldorf, the artist’s new series riff on conceptualism but reflect the alienation of our times

BY Stanton Taylor |

Ireland’s biennial of contemporary art delicately weaves weighty issues into Limerick’s surroundings

BY Nadia Egan |

While ‘Choreographies of the Impossible’ stumbles curatorially, this edition nevertheless feels vital and exciting

BY Marko Gluhaich |