From environmentalist epics to Norse mythology and the re-emergence of Russian cosmism: John Holten surveys the best books of 2018
At the Photographers’ Gallery in London, a show examining the increasingly ubiquitous images produced by machines
At an event hosted by the ICA in London, the whistleblower and activist talked about the dangers of technology and how the US is now ‘like a prison’
‘Spellbound’ at the Ashmolean Museum, Oxford, traces magic and ritual from the Middle Ages to today
In our devotion to computation and its predictive capabilities are we rushing blindly towards our own demise?
Thoughts on #MeToo, Tom Hanks’ typewriter reveries and algorithmic citizenship: what to read this weekend
At the Serpentine Marathon, artists and scientists considered AI, paranoia and the supernatural in an age of machine learning
With our increasingly porous objects, ubiquitous networks and ambivalent organisms, why artists are drawing inspiration from extra-human agencies
Daniel Culpan wins the 2016 prize for his review of Nicole Eisenman's ‘Al-ugh-ories’ at New Museum, New York
James Bridle, a judge of this year’s Frieze Writer’s Prize, explains how he became a writer
How the crisis in Greece is prompting young Athens-based artists to find new spaces for communal reflection
Frieze Writer’s Prize 2016 is open for entries
Labyrinthine associations and elastic meaning in the work of Heather Phillipson
Video Game Photography
How will stories be told in the future? frieze asks nine artists and writers to reflect on how narrative structures will change as technology advances
What do drones see? And how can we see them?
