At Thomas Dane Gallery, London, the artist explores how class domination is maintained through the conservation of objects
Remi Weekes transposes the classic haunted house genre to a mouldering council flat inhabited by South Sudanese refugees
The new Netflix documentary is a distraction from the drive to regulate tech companies, including Netflix itself
The first blockbuster to return to theatres demonstrates Hollywood’s eagerness to ‘exploit bodily presence for profit’ during the pandemic
In decontextualizing the former Vice President from geo-political circumstance, Adam McKay’s film threatens to add gloss to Cheney’s reputation
Sigmund Freud goes to the movies
