Kareem Reid

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Opinion
How Black Obsidian Sound System Are Navigating the Ethics of Appropriation

Kareem Reid on how the group’s Turner Prize nomination conflicts with the B.O.S.S community-oriented aims

BY Kareem Reid |
Exhibition Reviews , UK Reviews
Kobby Adi Unearths Multiple Meanings in Salvaged Materials

At Goldsmiths Centre for Contemporary Art, the London-based artist’s installation re-appropriates industrial and mass-produced objects, unlocking their numerous connotations

BY Kareem Reid |
Reviews
R.I.P. Germain Positions Mourning as an Act of Activism

At Cubitt, London, the artist reenacts Caribbean rituals and pastimes to preserve the legacy of his loved ones

BY Kareem Reid |
Reviews , UK Reviews
Shenece Oretha, Mohammad Tayyeb and the Radical Potential of Listening

At London's Cell Project Space, the artists' timely new commissions explore the potency of intimate gestures and simple actions 

BY Kareem Reid |
Reviews
How Paul Maheke and Nkisi Provocatively Reprise the Phenomenon of ‘Negrophilia’

The artists’ latest performance at Block Universe leaves us hanging in ambiguity

BY Kareem Reid |
Opinion
The Enduring Relevance of ‘If Beale Street Could Talk’

The film adaptation of James Baldwin’s 1974 novel imbricates joyful moments within a fraught political and racialized landscape

BY Kareem Reid |