Kemang Wa Lehulere

I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa

At Frieze London this year's talks explore the role played by autobiography in art and society

Creative Time’s Elvira Dyangani Ose looks forward to the work of Kemang Wa Lehulere at Frieze New York

In other news: Dallas Museum of Art's Gavin Delahunty resigns over ‘inappropriate behaviour’ allegations; Oreet Ashery wins Jarman prize

SUPERFLEX to tackle Tate Modern's Turbine Hall; Trump targets arts and humanities endowments; LD50 closes its doors following protests

Musician Pauline Oliveros passes away; Heather Phillipson wins the Jarman award; MCA Chicago announces renovation plans

Gasworks, London, UK