To celebrate the recent release of her memoir, The Lives of Artists, the author shares a list of literary works that have inspired her
Ahead of the release of her new memoir, The Light Room, the author shares a list of the literary works that have inspired her
Released this month, Jhumpa Lahiri's new book explores her relationship with the Italian language as a writer and translator
In three stories, the German filmmaker and writer bears witness to the tentativeness of history
The author of Glitch Feminism on correcting the cyberfeminist canon, the Black trauma at the root of memes and why online space is still ‘real’
The authors discuss diary-keeping, photography and motherhood
Before Twitter, Félix Fénéon’s daily ‘novels in three lines’ made a literary art form of current affairs
Juliet Jacques speaks to the pioneering writer and theorist about her new book, ‘Reverse Cowgirl’, an ‘auto-ethnography’ of the self
Wandering Munich with the graphic designer Anna Lena von Helldorff, the author wonders what it means when time constantly overtakes us
The translator of the Nobel Literature Prize winner on jet lag, death threats and insomnia in Poland
The most remarkable thing about ‘The Mysterious Correspondent’ is the way it deals directly with gay and lesbian characters
Nina Leger, Jenny Hval, Elvia Wilk and Sophie Mackintosh offer an eerie counterpoint to the traditionally male-dominated genre of weird literature
In ‘All That Beauty’, it’s not a matter of seeing better, or more clearly; it’s a matter of seeing more widely and wildly
In the Dream House grapples with the ‘bad PR’ of an abusive queer relationship
Our lives – like menus – are an assortment of so-called ‘choices’
The newly reissued novel maps the intimate spatial connections between fascism and patriarchy in postwar Austria
Three new novels – by Annie Ernaux, Vigdis Hjorth and Ocean Vuong – attempt to salvage something from painful intimate memories
In ‘Coventry’, events seem to happen to somebody else, to a person Cusk repeatedly exposes and judges
Reckoning with the legacy of Jim Harrison, whose writing portrayed women like meals – meant to give pleasure and comfort, without having any hunger themselves
Like Vivian Maier’s photography, Christina Hesselholdt’s novel embraces digression and relishes humanity in its multiplicity
