The artist recalls how the importance of trips to Nigeria and Kenya transformed her relationship with clay and teaching
At Maximillian William, a group show celebrates modernist sculpture bringing Simone Leigh and Magdalene Odundo’s anthropomorphic vessels together with Thaddeus Mosley’s Brancusian forms
A Wunderkammer-like exhibition at The Hepworth Wakefield shows objects from all times and places alongside the artist’s own ceramic vessels
The artist discusses her new show at The Hepworth Wakefield: ‘Ceramics for me is so personal: it’s so painful to produce sometimes’
