The artists discuss the systems and ideologies underpinning media and the ways images are distributed today
For a new series of columns on armchair travelling, editor at large Jennifer Higgie travels the myriad digital alleys of the French capital
‘Aretha loved to record people. I can tell because I love to record people’
With over 100 works, ‘Straying from the Line’ brings together superb work under the rubric of anti-essentialism
Curated by Charlie Porter, ‘Palimpsest’ turns the attention back on the history of the neo-gothic estate
MATCHESFASHION.COM invite Liz Goldwyn, Miranda July, Dr. Woo and more to 5 Carlos Place
‘You invite us to forge a ‘we’ with you and your images, to empathize, nodding snorts of identification brimming with tears’
With galleries reopening after the summer break, a guide to the best of the new season shows in the capital
In the artists’ film strand, Margaret Salmon, Basma Alsharif and Martine Syms showed a strong emphasis on people, place and storytelling
Two films and a dance piece focus on our shifting postures in light of connective technology
Renée Green, Import/Export Funk Office, 1992
SUPERFLEX to tackle Tate Modern's Turbine Hall; Trump targets arts and humanities endowments; LD50 closes its doors following protests
Rosanna McLaughlin presents her highlights from the second edition of Condo
A year of protest, power and people, from L.A. Kauffman to Kerry James Marshall
Musician Pauline Oliveros passes away; Heather Phillipson wins the Jarman award; MCA Chicago announces renovation plans
To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence
Hammer Museum, Los Angeles, USA
A Twitter academic, a science fiction writer and a Wells Fargo debit card: Martine Syms shares some images that are important to her
Language, gesture and black identity
