Matthew McLean

Reporting from Santa Monica Airport, where Frieze Los Angeles is bigger than ever

The choreographer speaks to Matthew McLean about ‘TANZ’, ‘Ophelia's got Talent’ and her plans for the future

The film producer and collector reflects on working with the likes of Pedro Reyes and Alejandro Jodorowsky, and gives advice for February’s upcoming fairs

On adoration in art past and present: from the work of emerging painter Sophie Barber to a Frieze Week show of the late Sam Gilliam

Roam the aisles on the opening days of Frieze London and Frieze Masters, and discover Frieze Sculpture

At Sadie Coles HQ, London, the artist turns his pin-sharp brushwork to depth and volume, conjuring surfaces that seemingly scoop and protrude

The gallery enters its sixth decade as one of its founding member, Judith Bernstein, turns 80 

For some, Frieze Week is synonymous with invitations to eat. One writer explores the sometimes secretive art-world ritual

A new public program of talks, screenings and Buddhist meditation launches in the art landmark on the Bowery

The curator talks about her approach to the 59th International Art Exhibition and restoring energy to the Venice Biennale

This year’s initiative, supporting emerging filmmakers, addresses the universal theme of ‘Facing Change’

Fair director Christine Messineo surveys the expansive cultural landscape, from major institutional exhibitions to community craft projects

As collective reopens its renovated exhibition space we look back at its impressive record of rearing talent, dating back to its tram-shed Clapham days.

Matthew McLean questions what great feasts throughout art history tell us about plenty and excess

On the haunted, transatlantic landscape of Alberta Whittle’s new film commission, shot at the height of the COVID-19 pandemic

The Berlin-based artist works across and between performance, text and image

The artist’s installation – based on the interior of a nearby gay cruising bar – invokes a haunted sense of refuge

The artist’s exhibition at Migros Museum, Zurich, reflects on the political uses of platitudes and truisms

A recent exhibition at Carlos/Ishikawa, London, conjured an experience of being controlled within a carceral capitalist state