From Marguerite Humeau’s post-apocalyptic world of insects to Michael E. Smith’s unsettling assemblages
At the Henry Moore Institute, Leeds, the artist’s readymade sculptures prompt a strange empathy between viewer and object
The New York-based collector explains how research, relationships and diligent list-making shape his approach to acquiring art
KOW, Berlin, Germany
Michael Benevento, Los Angeles, USA
Minerva, Sydney, Australia
Centre d'art contemporain d'Ivry – le Crédac, Ivry-sur-Seine, France
With mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurban America
Pilar Corrias, Maria Stenfors & Max Wigram Gallery, London, UK
Galeria Stereo, Warsaw, Poland
