New York

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A tight retrospective at White Cube, New York, transcends and mystifies in equal measure

BY Joseph Akel |

Featuring sound machines and satellites, the artist’s show at Andrew Kreps Gallery, New York challenges the supposed neutrality of ‘white noise’

BY Zoë Hopkins |

It may be a fool’s errand to mount an exhibition devoted to this conceptual artist – but New York’s Artists Space (mostly) pulls it off

BY Marko Gluhaich |

As a survey opens at Kasmin, New York, the artist discusses bathroom graffiti, Donald Trump and her time as a Guerrilla Girl

BY Juliet Jacques |

At Ulrik, New York, the artist’s parodic installation contends with the seemingly immutable legend of ‘Vincent, who cut off his ear’

BY Chris Murtha |

At Greene Naftali, New York, the artist transforms vintage gay pornography into paintings – to ‘soul-dissolvingly, corrosively beautiful’ effect

BY Simon Wu |

The New Dehli-based artist’s survey at MoMA PS1, New York, interweaves the autobiographical and the sociopolitical to consider the state of his motherland

BY Murtaza Vali |

Constellating work by over 90 artists and groups, a survey of Asian American art at 80WSE Gallery, New York considers the power of the collective

BY Geoffrey Mak |

The artists show at Amant, Brooklyn, depicts the art world and financial systems as twin spectacles: performances of value without substance

BY Joel Danilewitz |

An exhibition at Asia Society, New York, foregrounds Indigenous knowledge-holders as it brings together eight decades of work by Yolŋu artists

BY Lauren O’Neill-Butler |

From Steve McQueen’s Dia exhibitions to Tau Lewis’ first solo museum show, here is what to see this October

BY frieze |

Once excluded from art history, the conceptual artist has her first US solo exhibition at the American Academy of Arts and Letters, New York

BY Madeleine Seidel |

Her retrospective at the Center for Art, Research, and Alliances demonstrates a philosophy almost incompatible with the viewing methods of institutional exhibition

BY Simon Wu |

The artists show at kurimanzutto, New York grapples with a transgenerational experience of a conflict that’s often overlooked and largely unresolved

BY Marko Gluhaich |

In the artist’s debut show with Petzel Gallery, New York, eight gleaming, machinic sculptures upend expectations with flickers of strangeness

BY Brecht Wright Gander |

An urgent exhibition at Jane Lombard Gallery, New York, underscores the artist’s ongoing commitment to exploring migration and displacement

BY Clara Maria Apostolatos |

Ahead of Smith’s show in London, the two artists discuss their histories and the fear and excitement of creating new works

BY Lubaina Himid AND Marlene Smith |

The director’s 1963 film, ‘The Cool World’, is a unique misstep in her lauded career

BY Carlos Valladares |

At Company Gallery, New York, the artist uses subversion and humour to upend the ideological landscape of contemporary sex/work and our moral attitudes towards it

BY Jeppe Ugelvig |

Her pseudo-sacred sculptures at Lisson Gallery create a bricolage of Christo-medieval relics, high fashion and doomsday aesthetics

BY Macaella Gray |