Okwui Enwezor

The curator and foundation director discusses showing art outside city centres and why she banned the word ‘offsite’ in her office

In a time of heightened vulnerability, new media lends itself to the Arab diaspora, reconstructing ideals of exit, nationalism and things lost

Pablo Larios highlights the damaging effects of network fatigue in contemporary art 

An epochal exhibition of the Ghanaian artist – the last curated by Okwui Enwezor – gives the Munich institution a new face

Can Ralph Rugoff’s ‘May You Live in Interesting Times’ exhibition address histories of narrow nationalism, fascism, and empire head-on?

‘Wherever he is now, I know he is waiting for me. There is so much we did not have the time to address’

In style as well as substance, the late curator embodied a politics of inclusivity

The Nomura Art Award, funded by a Japanese financial services company, is now the largest cash prize available in the arts

A tribute to the late curator and his belief in the primacy of documentation

A tribute to the late curator’s support of artists in South Africa and how his writing on them ‘revealed something of his acute sense for history’

A tribute to the Nigeria-born poet, critic and ‘most important curator of his generation’, who persistently bid us to open our eyes

Enwezor, who embraced a more pluralistic art history beyond the Euro-American canon, had been battling cancer for several years

‘The wide range of artists presented in this astonishing show was a provocation that will fuel many young curators and scholars in the coming years’

‘The show singlehandedly thrust Africa back into the culture of global contemporary art.’

Art and culture have a role in describing the unevenness of the world: where do we go from here?

In further news: MoMA reaches contract agreement with staff; man hospitalized after falling into Anish Kapoor installation

In further news: declining UK museum visitors sees country fall in world rankings; first winner of Turner Prize, Malcolm Morley, dies at 86

Raqs Media Collective on their 2017, from a séance with an 18th century automaton-tiger to imagined conversations with Édouard Glissant

Leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice

What makes us human