Showing results 1-9 of 9

The Paris-based pop siren discusses her first-ever opera, The Descent of Inanna, based on a Sumerian legend

BY Jad Salfiti |

As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon 

BY Sean O’Toole |

The Morgan Library presents 150 designs for ballet and opera by the author of Where the Wild Things Are

BY Figgy Guyver |

The Golden Lion-winning Lithuanian Pavilion, ‘Sun & Sea (Marina)’, crafts an endless pop song for the end times

BY En Liang Khong |

This opera wants to know whether memory is scientific or occult. It answers the question by rejecting it.

BY Rainer Diana Hamilton |

The Turner Prize-winning photographer’s set design for ENO’s new production asks: can the greatest horror be better communicated by the unseen?

BY Matthew McLean |

Ahead of its South London Gallery performance, how Tom Phillips’s Irma – a work that questions the genre of opera itself – is being staged

BY Adam Harper |

Combustion and digestion in Matthew Barney’s latest work

BY Ross Simonini |

Poul Ruders' The Handmaid's Tale

BY Paul Kildea |