The Paris-based pop siren discusses her first-ever opera, The Descent of Inanna, based on a Sumerian legend
As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon
The Morgan Library presents 150 designs for ballet and opera by the author of Where the Wild Things Are
The Golden Lion-winning Lithuanian Pavilion, ‘Sun & Sea (Marina)’, crafts an endless pop song for the end times
This opera wants to know whether memory is scientific or occult. It answers the question by rejecting it.
The Turner Prize-winning photographer’s set design for ENO’s new production asks: can the greatest horror be better communicated by the unseen?
Ahead of its South London Gallery performance, how Tom Phillips’s Irma – a work that questions the genre of opera itself – is being staged
Combustion and digestion in Matthew Barney’s latest work
Poul Ruders' The Handmaid's Tale
