Orit Gat

Showing results 1-20 of 37

From the stadium to the gallery, both attempt to invoke a sense of extreme concentration

BY Orit Gat | 01 JUL 20

Patriotic imagery and calls for ‘togetherness’ distract from grass-roots demands for systemic change

BY Orit Gat | 04 JUN 20

When we feel caged at home, online animal videos offer a way to connect

BY Orit Gat | 07 MAY 20

Has Covid-19 made the internet good? It’s important to maintain our scepticism in this moment of unicorn-wifi-in-the-sky ‘niceness’

BY Orit Gat | 23 APR 20

From Grumpy Cat to Pizza Rat, what the images we shared said about the world around us

BY Orit Gat | 23 DEC 19

The results, which veer from the weird to the outright racist, draw attention to the bias of machine learning

BY Orit Gat | 20 SEP 19

Why are kids born in the 2000s lip-synching to the 1983 film ‘Possibly in Michigan’?

BY Orit Gat | 26 JUL 19

There’s impressive and unexpected art in the city, even during the summer doldrums

BY Orit Gat | 28 JUN 19

An exhibition at Swiss Institute, New York, reflects on the vulnerability of our bodies and our desire for intimacy

BY Orit Gat | 23 MAY 19

How does an image captured 55 million light-years from Earth reflect on humanity?

BY Orit Gat | 11 APR 19
Fan Letter

‘Every two minutes, people upload more images to the internet than existed in total just 150 years ago’

BY Orit Gat | 04 FEB 19

With drastic layoffs at online publications, there’s uncertainty not only about digital journalism – but today’s internet as we know it

BY Orit Gat | 29 JAN 19

When more photos are uploaded to Instagram every single day than existed 100 years ago, there is solace in blankness

BY Orit Gat | 16 JAN 19

An altercation between a White House correspondent and the president becomes a visual question: what is it that we see?

BY Orit Gat | 15 NOV 18

The Eyebeam Center for the Future of Journalism is on a mission to support artists who engage with investigative reporting

BY Orit Gat | 29 OCT 18

An exhibition at Tanya Bonakdar, New York, draws attention to the labour behind the goods of modern life and how their histories are thread together

BY Orit Gat | 09 OCT 18

Held across three Baltic cities for the first time, why did this edition make no attempt to say something to – or about – its host region?

BY Orit Gat | 19 JUL 18

Nottingham Contemporary, UK

BY Orit Gat | 29 JAN 18

What the Google Arts & Culture app tells us about our selfie obsession

BY Orit Gat | 23 JAN 18

MAK, Vienna, Austria

BY Orit Gat | 05 DEC 17