Paul Clinton

The artist’s latest show, at Corvi-Mora, London, depicts men stripped of their social identities

As a show about cabaret culture opens at the Barbican, it’s worth remembering that nightclubs are about more than just a good time

‘Militant Desire’, a new series of screenings at London’s Gasworks, revives consciousness-raising discussions

When confronted with a deeply damaging past, it becomes necessary to take action to return us to the present

Why ACT UP activists spray-painting over artist David McDiarmid’s ‘Rainbow Aphorisms’ posters scored an own goal

Two films using time and repetition to question our fragile relationship to lived reality and revolutionary politics

David Goldblatt discusses representation, censorship and his decision to remove his archive from the University of Cape Town

A swathe of exhibitions and a new English translation of La Monnaie vivante, Pierre Klossowski’s erotic theory of economics

A response to some of the responses

frieze associate editor Paul Clinton talks to curator and Professor of Fashion and Museology at London College of Fashion, Judith Clark, about the challenges of curating exhibitions of fashion and dress

Cabinet, London, UK

Cosey Fanni Tutti talks to Paul Clinton about feminism, freedom and the politics of the personal

Solidarity isn't for everyone

With the sad news of the passing Gustav Metzger, aged 90, revisit his ‘Influences’ piece for frieze 

From Umberto Eco on fascism to Thomas Pynchon’s stand-in: what to read this weekend

The second of three articles exploring art, class and precarity: an interview with writer and sociologist Didier Eribon

Daniel Culpan wins the 2016 prize for his review of Nicole Eisenman's ‘Al-ugh-ories’ at New Museum, New York

Eve Kosofsky Sedgwick photographed by Terry Richardson

From Vladimir Nabokov's queerness to John Cage jamming with Sun Ra: what to read this weekend

Negar Azimi on Jane Bowles and bell hooks on Beyoncé: what to read this weekend