Pedro Gómez-Egaña

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Exhibition Reviews
Steirischer Herbst Enters Its Villain Era

By exploring moral ‘grey zones’, Graz’s annual festival dips into murky waters

BY Kathrin Heinrich |
Reviews
Pedro Gómez-Egaña's Time Machines

At Berlin’s Zilberman Gallery, reflections on the power asserted by technological progress: can anyone make it stop?

BY Hili Perlson |