Performance

The avant-garde New York art-fashion collective as seen through the lens of Hong Kong-born, London-based photographer Joyce NG

Other highlights include a dance piece based on a cannibalistic tribal community and a novel coming-of-age story

A tribute to the dancer’s acclaimed return to choreography following years of ground-breaking artistic innovation

At Bold Tendencies in London, Jacob Samuel and Courtney Deyn’s latest ballet, ‘WHO HURT YOU?’, vividly portrays queer performers reaching their breaking point

What are the questions that you should ask yourself and your curator before sharing your artwork?

The artist fluctuates between meditation and masochistic intensity at London’s Whitechapel Gallery

Aaron Williamson reflects on the life of his late friend and collaborator, an artworld outlier whose instinct was to deny official channels

The installations at The Shed aim to inform on nuclear risk, calling for global nuclear disarmament

For this year’s program at Frieze New York, Artists Space debuts Grandmother Cindy, a newly commissioned multi-media performance

On the occasion of the artist’s first solo exhibition in Berlin at KW Institute for Contemporary Art, Carina Bukuts writes about his 20-year practice of deconstructing the image politics of war

In her new performance at the Museum of Modern Art, New York, the artist presents found language as a way of tapping into our collective anxieties

At 52 Walker, New York, the artist’s installation sets the stage for a production sans human actors

Neil Bartlett on the lessons Bronson’s art practice teaches in the face of catastrophe

Members and affiliates of Asco reflect on the influence of the Los Angeles avant-garde group and the events that inspired its creation

From pole dancing to Disney princesses, the artist ‘hijacks’ modes of performance to show the power dynamics inherent in the way we move

The group of art students – assembled by Ming Wong – negotiates the boundary between engagement and appropriation

The San Francisco Museum of Modern Art presents the artist’s first major retrospective in 20 years

Amidst a global pandemic during his first year as Haus der Kunst's artistic director, Lissoni speaks about how the museum communicates with the world at large and what it means to be in dialogue with the past and present 

The artist’s exuberant sculptures and paintings, drawn from religious icons and club culture, are emblems of a changing New York 

Kristian Vistrup Madsen on Da Corte’s ‘Chicken’, which resurrected a 1966 Allan Kaprow happening