Pierre Huyghe

Showing results 1-20 of 22

A group exhibition at Luisa Strina Gallery, São Paulo, explores invisible worlds that lie beneath and within us

BY Andrew Durbin | 02 OCT 18

From Renaissance masters to Tania Bruguera’s new Turbine Hall commission, a mini-guide to museum shows in London

01 OCT 18

Solo booths at Frieze New York 2018 see galleries showcase the most exciting and influential artists in the world today

24 APR 18

Contributing editor Max Andrews looks back on 2017, from turbulence in the Catalan capital to Pierre Huyghe’s masterwork in Münster

BY Max Andrews | 20 DEC 17

A guide to the best projects included in Skulptur Projekte Münster 2017

BY Harry Thorne | 09 JUN 17

Ibirapuera Park, Brazil

BY Dan Fox | 22 OCT 16

Glenstone to become the largest private museum in the US; Cardi Gallery readies its London space after a two-year renovation

27 SEP 16

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

18 AUG 16

ZKM, Karlsruhe, Germany

BY Noemi Smolik | 02 JUN 16

The collector, primarily of digital and time-based art, explains why she is opening a space in Berlin

BY Kito Nedo | 01 JUN 16

Fridericianum, Kassel, Germany

BY Pablo Larios | 16 MAR 16

Why enthusiasm, not scholarship, motivates artists

BY Julian Hoeber | 25 SEP 15

In the first of a new series focusing on a single work, Jennifer Higgie considers Pierre Huyghe’s latest film, Human Mask

BY Jennifer Higgie | 17 DEC 14

Centre Pompidou / Palais de Tokyo, Paris

BY Rahma Khazam | 03 JAN 13

Alex Farquharson and Kaelen Wilson-Goldie grapple with the complexities of dOCUMENTA (13)

Esther Schipper, Berlin, Germany

BY Daniel Horn | 10 NOV 11

Marian Goodman Gallery

BY Naomi Fry | 01 MAY 11

On the occasion of his first UK solo show – 'Celebration Park' – at Tate Modern this summer, Tom Morton spoke to Pierre Huyghe about journeys, exhibition-making, fiction and the future

BY Tom Morton | 07 JUN 06

In staging large-scale participatory events, artists are creating new narratives for our cultural landscape

BY Nancy Spector | 01 APR 06