The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose
From Lorraine O’Grady’s photocollages from the 1990s at Alexander Gray Associates to Kiyan Williams’s deep-fried American Flags at Lyles & King, these are the must-see shows
The final book in a series published by MoMA draws on the museum's collection to chart the development of photography from the mid-19th century to today