In a cavernous Central Pavilion, ‘The Milk of Dreams’ reminds us that feminist triumphs and struggles stretch beyond time and geography
A survey at Moderna Museet Mälmo shows how the artist has insistently challenged notions surrounding authenticity, identity and selfhood
Rosemarie Trockel's art collection is destroyed and Atena Farghadani is released from prison
As part of a new series, frieze invites performance artist Grace Schwindt to present a series of images that are important to her
Temporary Gallery, Cologne, Germany
In an age of perpetual distraction, how might institutions slow down and refocus the way we look at art?
For 25 Years Rosemarie Trockel has examined the slippery connection between sexual identity, images and the way they are perceived
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