Saim Demircan

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Saim Demircan explores three decades of life and loss in Kharkiv through the work of the Ukrainian photographer

BY Saim Demircan |

At Pinacoteca Agnelli, Turin, the artist’s works playfully subvert the art historical canon

BY Saim Demircan |

The artist speaks to Saim Demircan about the storied exhibition space, the Orchard gallery, and his innovative films documenting its three-year run

BY Saim Demircan AND Jeff Preiss |

At Galleria Franco Noero, Turin, the artist's current series is exposed to the elements and requires avian participation

BY Saim Demircan |

At Participant Inc, the artist presents photographic and video works that reflect on our increased reliance on digital space 

BY Saim Demircan |

At Andrew Edlin Gallery, New York, the late artist’s drawings and sculptures celebrate the spirit and history of southern Black communities

BY Saim Demircan |

At Galerie Max Mayer, a series of LED ‘paintings’ reflects on the value of performative practices

BY Saim Demircan |

At Ortuzar Projects, New York, the artist’s radiant portraits of travellers on ‘citizen ships’ maintain ‘an abiding faith in the power of the human spirit’

BY Saim Demircan |

Paul B. Preciado’s norm-defining show at WKV Stuttgart lays the groundwork for a crip-theoretical re-evaluation of art history

BY Saim Demircan |

An exhibition at Galerie Barbara Weiss, Berlin, transports Sebastián Lelio’s award-winning film Una mujer fantástica into the gallery space

BY Saim Demircan |

Spectral lone female figures pose and recline in a series of nebulous paintings on view at Galerie Rüdiger Schöttle, Munich

BY Saim Demircan |

Wolfgang Tillmans has launched a pro-EU poster campaign. Should more UK cultural institutions be speaking out?

BY Saim Demircan |

The printed page as exhibition space

BY Saim Demircan |

Could this viscerality, this hysteria, be political?

BY Saim Demircan |

The consumption of ecosystems and drug-altered states

BY Saim Demircan |