The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose
By Natasha Ginwala with contributions from Abdul Halik Azeez (@Colombedouin), Muvindu Binoy, Sandev Handy, We Are From Here, Imaad Majeed and Pushpakanthan Pakkiyarajah
