Sheila Hicks

Ten members of the renowned professional body choose works from the Frieze Viewing Room, including a sensational late 1960s Alma Thomas and an outstanding woven piece by Jeremy Frey

As major shows open on both sides of the Atlantic, we examine the medium’s subversive relationship with gender 

A show at Alison Jacques highlights the artist’s technical prowess and use of colour, but lacks critical discussion of her processes

From an exhibition of Francis Bacon’s ‘beasts’ to Terrence Malick’s film on the life of Christ, these are the top picks for the year

At The Bass, Miami, the 85-year-old fibre art pioneer continues to push the boundaries of her medium

‘The fact that it was most likely made with recycled fabric touches me immensely’

Images from the 57th Venice Biennale

A first look at ‘Viva Arte Viva’ at the Arsenale

The impact of pre-Columbian techniques and designs on 20th-century artists

Various venues, Glasgow

Jennifer Higgie talks to Sheila Hicks about the 60-year evolution of her artistic language