Simon Denny

Peter Brock explores what blockchain technology could mean for power relations within the art world

The co-founders Simon Denny, Willem de Rooij and programme alumni explain why artists are essential to the fabric of Berlin

Take advantage of 'crisitunities' to defend the rights of workers - or exploit them

At the DeYoung, San Francisco, ‘Uncanny Valley’ deftly examines the consequences of our capitulation to AI

From Palantir to Microsoft to Google, the new resistance arises from labour itself

As startups looks towards increasingly abstract schemes, where is the art that answers to today’s deeply networked structures?

Visualizing the Snowden archive

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is a flop. ‘Dreadful’, 'dire’, 'depressing’ are some of the more printable adjectives I’ve heard to describe it. ‘Venice is Bad' was the insightful email header from a supposedly serious art news source.

Jessica Silverman Gallery, San Francisco, USA

Pablo Larios interviews artists Simon Denny, Yngve Holen and Marlie Mul

Galerie Daniel Buchholz, Cologne, Germany