Sprüth Magers

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The artist’s first posthumous exhibition at Sprüth Magers, Los Angeles, defies easy assumptions about her work and life

BY Jonathan Griffin |

Kilimnik’s subjects are nearly always brutal – murder, empire, war – and just as often delivered with a practiced detachment

BY Travis Diehl |

For her exhibition at Sprüth Magers, Berlin, the artist explores the potential of indefinite loops

BY Grace Sparapani |

The artist’s sculpture possessed an almost surreal promise, as if at any moment it might become a Really Living Thing

BY Andrew Durbin |

The Berlin-based gallery wins for an outstanding gallery presentation at Frieze London

With exhibitions at more than 45 official participating venues, here’s our guide of what not to miss during Berlin Art Week

BY Emily McDermott |

‘When I opened Monika Sprüth Galerie, only very few German gallerists represented women artists’

BY Pablo Larios |

From a preview of Konrad Fischer’s new space, to Simon Fujiwara’s thought-provoking commentary on gender bias

BY Hili Perlson |

All three galleries of Sprüth Magers’s Berlin space are given over to the late artist’s painterly evolution, much of which is long unseen

BY John Quin |

A rising gallery scene in a city challenging stereotypes

BY Bettina Korek |

Q. If you could live with only one piece of art what would it be? A. Las Meninas (1656), my first art-love. 

BY David Lamelas |

Wayne Thiebaud in conversation with Thomas Demand

BY Thomas Demand |

Sprüth Magers, Berlin, Germany

BY Kirsty Bell |

A mini retrospective at Sprüth Magers, Berlin, shows the artist was never the cut-and-dried Minimalist of legend

BY Mark Prince |

Sammlung Falckenberg, Hamburg and Sprüth Magers, Berlin, Germany

BY Jörg Heiser |

Grappling with the work of an artist who relishes multiple viewpoints, myriad materials and a slippery approach to meaning

BY Julian Myers |

Despite their contributions, female gallerists have historically been under-recognised. A new book seeks to make amends

BY Martin Herbert |