Tom Morton

What do the first art works and recent speculations about early man tell us about today?

Swallow street, London, UK

Hats Plus, London, UK

Employing media as diverse as a suspended caravan and a levitating donkey, Lara Favaretto unearths the romance and possibility buried in futility

Human cameras, fortune tellers, unreliable memories – in Lindsay Seers’ work, the truth is not what it seems

Wall texts in museums and galleries are meant to elucidate and educate, why are most badly written, full of jargon, and painfully reductive?

Ikon Gallery, Birmingham, UK

Curator Nicolas Bourriaud talks botany, modernity, time, class and exhibition-making

Ambiguity, concealment and eroticism lurk in the shadows of Victor Man’s paintings and installations

Alternative histories and playful anachronisms shape Steven Claydon’s sculptures, paintings and videos

Barbican Art Gallery, London, UK

Korean Cultural Centre, London, UK

On the occasion of his first UK solo show – 'Celebration Park' – at Tate Modern this summer, Tom Morton spoke to Pierre Huyghe about journeys, exhibition-making, fiction and the future

Project Arts Centre, Dublin, Ireland

Urs Fischer’s work is characterized by happy accidents – slips of the hand and mind that can transform even the ugliest of ducklings into a weirdly beautiful swan

Norwich Gallery, Norwich, UK

Freemason's hall, London, UK

Aesthetic and political elites

Claire Barclay

Various Venues