US Reviews

A retrospective at Carnegie Museum of Art, Pittsburgh, traces the artist’s insistent, strange and utterly distinct iconography across three decades

The meeting of environment and technology is front and centre in the Californian artist’s retrospective at Institute of Contemporary Art, Philadelphia

At Seattle Art Museum, the artist uses redaction and erasure to reflect the ways in which language can be reborn

A tight retrospective at White Cube, New York, transcends and mystifies in equal measure

Featuring sound machines and satellites, the artist’s show at Andrew Kreps Gallery, New York challenges the supposed neutrality of ‘white noise’

Spanning five decades, a show at the Museum of Contemporary Art, Chicago, traces the evolving relationship between painting and invention

It may be a fool’s errand to mount an exhibition devoted to this conceptual artist – but New York’s Artists Space (mostly) pulls it off

The artist’s sparse, poetic show at Perrotin, Los Angeles, approaches post-minimalism as a vehicle for historical remembrance

At Glenstone Museum, Potomac, the artist identifies violence at the core of American society – and risks reinscribing it

At Ulrik, New York, the artist’s parodic installation contends with the seemingly immutable legend of ‘Vincent, who cut off his ear’

A group show at the Institute of Contemporary Art, Los Angeles provides vital context for the continuous battles over bodily autonomy

At Greene Naftali, New York, the artist transforms vintage gay pornography into paintings – to ‘soul-dissolvingly, corrosively beautiful’ effect

The New Dehli-based artist’s survey at MoMA PS1, New York, interweaves the autobiographical and the sociopolitical to consider the state of his motherland

In the Indigenous artist’s performance-packed exhibition, power comes from celebrating difference

At FERNBERGER, Los Angeles, the artist’s abstract compositions suggest an indeterminate, emergent world akin to that of classical Chinese landscapes

The latest iteration of the triennial views its host city from an international perspective

A show at the Museo Universitario de Arte Contemporáneo, Mexico City, conjures the spectral presences behind cinematic artifice

Constellating work by over 90 artists and groups, a survey of Asian American art at 80WSE Gallery, New York considers the power of the collective

Coinciding with a spate of new projects inspired by the late artist, a landmark show at the Pulitzer Arts Foundation explores Burton’s engagement with the body and public space

The artist’s show at Amant, Brooklyn, depicts the art world and financial systems as twin spectacles: performances of value without substance