The Kenyan-American artist’s bronze caryatids occupy the museum’s empty niches which have lain bare for 117 years
Most works carry a subtle political charge that amounts to a thoughtful critique of the injustice of our times
The artist creates a specially commissioned work for frieze in response to Yoko Ono’s legendary 1965 performance ‘Cut Piece’
‘Her oeuvre was a radical departure and fiery negation of the masculine art-making that was prominent in the 1970s’
