Issue 26
Jan - Feb 1996
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From this issue
Frieze
Artificial Pleasures

Rem Koolhaas' Eurolille

BY Peter Halley |
Profiles
Team Colours

Lane Relyea on sports merchandising and team spirit

BY Lane Relyea |
Frieze
The Shock of the Used

The relevance of Charles and Ray Eames
Interviews
Age of Innocence

An interview with Amy Adler, a New York lawyer specialising in issues of free speech

Frieze
Pulp fact

The British zine scene
Profiles
Listen to the Night

Kathryn Bigelow's Strangedays
Frieze
No Place Like Home

The Architecture of Bruce Goff

Profiles
The Painful Pursuit of Freedom

Mat Collishaw's work encourages viewers to suspend their judgement and break down aesthetic conventions 

BY Stuart Morgan |
Frieze
Occupied Territories

africa95
Frieze
Serious Play

Christine Borland

Reviews
1965-1975: Reconsidering the Object of Art
BY David A. Greene |
Reviews
Maria Lindberg
BY Daniel Birnbaum |
Reviews
Alison Saar: Strange Fruit Kiki Smith
BY Paul Myoda |
Reviews
Hilary Lloyd
BY Gregor Muir |
Reviews
Division of Labor:'Women's Work' in Contemporary Art
BY Juan Hugo |
Reviews
Lorna Simpson
BY Ronald Jones |
Reviews
Self-Made
BY Justin Hoffmann |
Reviews
Judy Linn
BY Bruce Hainley |
Reviews
Gang Warfare
BY Chris Darke |
Reviews
A Night at the Show
BY Sjoukje van der Meulen |
Reviews
Mark Luyten
BY Michael Tarantino |
Reviews
Brice Marden
BY Ronald Jones |
Reviews
Mary Heilmann and Elizabeth Cannon
BY David Pagel |
Reviews
Bernard Frize
BY David Barrett |
Reviews
Henrik Hakansson
BY Maria Lind |
Reviews
Olafur Eliasson
BY Christiane Schneider |
Frieze
The Roswell Incident

Union Pictures for Channel Four Television

BY Mark Sladen |
Reviews
Ideal Standard Summertime/ Postscript
BY Neal Brown |
Frieze
Wibbling Rivalry

Fierce Panda Records

BY Gregor Muir |