At Bonner Kunstverein, the late Filipino artist’s first European retrospective is a poetic tribute to an oeuvre, which refuses to be categorized

Recent exhibitions by Bea Schlingelhoff and Michaela Melián demonstrate that the city’s institutions are sensitively reckoning with their fascist pasts

The solo exhibition at Maureen Paley, London, expands the artist’s long-established interests in animism, cosmology and non-Western folklore traditions

Jamila Prowes surveys how artists, writers and critics become their own unofficial biographers when grappling with illness and misdiagnosis

A modest survey at the Museum of Modern of Art, New York, celebrates the trailblazing career of an often-overlooked fluxus artist

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

An ‘anti-retrospective’ repositions the artist’s work as a meme-presaging détournement of late capitalism’s spectacular logic

The artist’s survey exhibition at Museo Reina Sofía, Madrid, explores Spanish cultural and socio-political practices and how collective belonging is intertwined with cultural production

Our critics drum up an international list of their favourite promising artists

Latifa Echakhch, Michael Krebber, Xie Nanxing, Tobias Pils and Shahzia Sikander share the books they frequently return to for inspiration

The artist speaks on his latest series of small, abstract tableaux, reflecting on the history of landscape painting and why uncertainty can create a sense purpose

On the occasion of the artist's solo exhibition at Kunsthalle Basel, Sarah E. James considers the artist's idiosyncratic abstractions