Exhibition Reviews

Showing results 1-20 of 965

For the inauguration of Room Room, Copenhagen, a group show dedicated to online culture questions how we relate to each other and ourselves

BY Frida Sandström |

At Frac Île-de-France, Paris, the artist’s stagings of furniture and fruit reflect on what it means to carry home with you

BY Skye Arundhati Thomas |

In a playful exhibition at Fondazione Prada, Milan, the artist presents a model for creative collaboration

BY Giovanna Manzotti |

A tight retrospective at White Cube, New York, transcends and mystifies in equal measure

BY Joseph Akel |

At QAGOMA, Brisbane, a steadfast commitment to plurality knits together deeply disparate works

BY Sophia Cai |

At Galerie Noah Klink, Berlin, the artist’s works toy with the interplay of vulnerability, exploitation and scrutiny that exists within systems of safe-guarding

 

BY Louisa Elderton |

Spanning five decades, a show at the Museum of Contemporary Art, Chicago, traces the evolving relationship between painting and invention

BY Cat Kron |

In a joint exhibition at Emalin, London, the artists’ films and photographs attest to the impact of state censorship and regulation

BY Juliet Jacques |

It may be a fool’s errand to mount an exhibition devoted to this conceptual artist – but New York’s Artists Space (mostly) pulls it off

BY Marko Gluhaich |

In an immersive installation at Basement Roma, the artist uses archery to challenge notions of strength and gender stereotypes

BY Ana Vukadin |

In a major retrospective at Galerie für Zeitgenössische Kunst, Leipzig, the artist’s works challenge gender constrictions 

BY Krzysztof Kościuczuk |

The artist’s sparse, poetic show at Perrotin, Los Angeles, approaches post-minimalism as a vehicle for historical remembrance

BY Jessica Simmons-Reid |

In an impressive survey at Thaddaeus Ropac, London, the artist’s often-ambiguous paintings stimulate new ways of seeing

BY Ellen Mara De Wachter |

At Glenstone Museum, Potomac, the artist identifies violence at the core of American society – and risks reinscribing it

BY Madeleine Seidel |

At Tabakalera, San Sebastián, an expansive show dedicated to the artist alludes to the broader challenges of mid-career retrospectives

BY Max Andrews |

At Ulrik, New York, the artist’s parodic installation contends with the seemingly immutable legend of ‘Vincent, who cut off his ear’

BY Chris Murtha |

In an exhibition with no artworks at Chisenhale Gallery, London, the artist subverts conventions of display

BY Thomas McMullan |

At Portikus, Frankfurt am Main, the artist’s minimalist objects urge for collective self-reflection

BY Helena Julian |

At Centro Andaluz de Arte Contemporáneo, Seville, the artist’s earthen installations address the contested history of land

BY Edmée Lepercq |

At Kin Museum of Contemporary Art, Kiruna, the artist’s embroidered canvases depict Sámi culture’s close relationship to nature

BY Amanda Hakoköngäs |