Contributor
Rahel Aima

Rahel Aima is a writer. Her work has been published in ArtforumArtnewsArtReviewThe AtlanticBookforum, friezeMousse and Vogue Arabia, amongst others.

 

‘The Three-Legged Cat’ reimagines the biennial format as a site of slow repair, touching on resilience and futurity

BY Rahel Aima |

The Lebanese-born, Emirates-based collector explains how a background in advertising fuels his passion and how the Gulf’s art ecosystem is changing

BY Rahel Aima AND Elie Khouri |

Beneath the Turkish city, the French artist unveils responsive sculptures in wax and molten metal, works that breathe with visual pleasure and material wit

BY Rahel Aima |

At a time of so many deepening crises, why are we afraid of saying what we really mean? 

BY Rahel Aima |

From Maryam Hoseini’s carnal figures to Asunción Molinos Gordo’s research into agricultural histories, here’s what not to miss during Art Dubai

BY Rahel Aima |

The artist’s film and performance challenge how Middle Eastern history is constructed and portrayed

BY Rahel Aima |

In her first major survey at Sharjah Art Foundationthe senior Māori artist’s vibrant, political landscapes highlight global indigenous struggles

BY Rahel Aima |

At Carbon 12, Dubai, a group exhibition of sculptures, textiles and painting uses the spinal cord as a metaphor for the ties that bind us

BY Rahel Aima |

Representing the UAE at the Biennale, the artist is considered a founding member of the Emirati avant-garde of the 1980s and ’90s

BY Rahel Aima |

Despite a lackluster inaugural exhibition, Hampi Art Labs shows promise as a revitalizing institution in the region

BY Rahel Aima |

From Farah Al Qasimi’s first exhibition of black and white photography to Katya Muromtseva’s watercolours of displaced women

BY Rahel Aima |

At Jameel Arts Center, Dubai, a group show examines the role of hospitality in the UAE and the wider Gulf region

BY Rahel Aima |

A public exhibition at the Pyramids of Giza offers sun, sand and monumental landscapes with a dash of Burning Man

BY Rahel Aima |

Archival research projects and the city’s historic venues were the highlights of this year’s somewhat inert biennial

BY Rahel Aima |

At Sharjah Art Foundation, a landmark group exhibition explores art inspired by popular culture in South Asia

BY Rahel Aima |

Despite some worthy presentations, this year’s edition adds little to the ongoing conversation about decolonization

BY Rahel Aima |

At SculptureCenter, a recent survey takes a narrow look at the artist’s career, focusing on his tech-inspired works from the 1980s and ’90s

BY Rahel Aima |

Two concurrent shows at the Bronx Museum and Marianne Boesky Gallery, New York, track the artist’s career and ‘chopped-and-screwed’ process of reimagining art history

BY Rahel Aima |

A beautifully spare presentation at Lomex, New York, uses a tangle of haberdashery-esque materials to invoke transcedent scenes

BY Rahel Aima |

From hobnobbing with Oprah to championing new art centres, millennial crown prince Mohammed bin Salman is following a well-trodden path

BY Rahel Aima |