At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
Rahel Aima is a writer. Her work has been published in Artforum, Artnews, ArtReview, The Atlantic, Bookforum, frieze, Mousse and Vogue Arabia, amongst others.
Two concurrent shows at the Bronx Museum and Marianne Boesky Gallery, New York, track the artist’s career and ‘chopped-and-screwed’ process of reimagining art history