The artist’s retrospective at Hamburger Bahnhof, Berlin, recalls the political and economic changes of the German capital

Two new films by the artist and her cohorts, on view at Lafayette Anticipations, Paris, speak to joint struggles and why collaboration is key

The artist’s immersive laser opera at High Art, Paris, imagines a world without hope

At Kicken Berlin the artist's work explores what it meant to be a woman in the German Democratic Republic

This year’s edition of the nomadic biennial highlights Marseille’s vibrant art scene while simultaneously looking at historical international power relationships

The exhibition dedicated to contemporary Russian art looks at how the country’s past two decades under President Vladimir Putin informed art production

At VITRINE, Basel, the artist creates a theatre-like setting, which reflects on the aesthetics of public transportation

At Vleeshal, Middelburg, the artist’s darkened spaces shed light on both the city's colonial burden and the invisibility of Black bodies

Hannah Hoffman, Los Angeles, presents a collection of the artist’s photographs documenting Chelsea Piers cruising culture in the 1970s and ’80s 

At the Wexner Center for the Arts, the artist draws connections between the US Voting Rights Act of 1965 and Albers’s theory of colour

At Prizer Arts & Letters, Austin, the artists present works that reaffirm the US experiment is ongoing

‘Made in L.A. 2020: a version’, slated to open in 2021, exposes the horrors of American life pre-pandemic

A new commission at Cell Project Space confronts questions about our complicity in the gentrification of our cities 

At Gallery 1957, London, the Ghanaian artist explores Stuart Hall's theory that cultural identity 'belongs as much to the future as it does to the past'

For his first solo exhibition at Sadie Coles HQ, the artist riffs on the iconographies and hierarchies of a bygone era

Capturing moments of stillness and anticipation, at Workplace, London, the artist uses layers of stippled colours to conjure never-ending narratives

At the Mosaic Rooms in London, Heba Y. Amin traces colonial footprints in the Arab world through communication technologies 

At Auto Italia, London, a film by Invernomuto and Jim C. Nedd traces the history of Afro-Colombian sound systems

The artist’s portraits of Chinese expats at London’s Massimo De Carlo make for dissonant viewing 

The last work by the artist leaves us in the company of painting’s favourite shape