Reviews from around the world

In the artist’s show at Taipei Fine Arts Museum, sculptures made with recycled goods engage with cycles of consumption

At Bangkok Kunsthalle, a show of the Sino-Thai artist’s calligraphic abstractions invites meditations on history and impermanence

At 21st Century Museum of Contemporary Art, Kanazawa, a group show about nature and technology asks visitors to listen to the trees

At his Museo Jumex survey, the artist reminds viewers of the political efficacy of games

At Jim Thompson Art Center, Bangkok, the French-Algerian artist asks how we might mend connections and cultivate hope 

At Museum of Contemporary Art Tokyo, the late composer’s sound installations commingle with restagings and responses

At QAGOMA, Brisbane, a steadfast commitment to plurality knits together deeply disparate works

The artist’s show at Rockbund Art Museum, Shanghai, sees his avatar swim across the Pacific in a journey simulated using real-time data

Bringing together work by 76 local and international artists, ‘Nurture Gaia’ turns to ancient cosmologies to make sense of the present

At Efie Gallery, Dubai, the artist’s rich textiles draw parallels between the Arabian Bedouins and West Africa

At DOOSAN Gallery, Seoul, the artist’s rhythmic abstract paintings aren't just full of movement; they also elicit it

At Museo Jumex, Mexico City, the artist investigates class and colonialism by appropriating markers of exclusion

At Leeum Museum of Art, Seoul, the artist explores the convergence of biological and technological systems – and questions notions of technological transcendence

The artist’s show at Tai Kwun Contemporary, Hong Kong, characterizes oscillation between detachment and connection as a contemporary condition

In her first major survey at Sharjah Art Foundation, the senior Māori artist’s vibrant, political landscapes highlight global indigenous struggles

At its most moving, the 2024 Toronto Biennial of Art asserts that expressions of joy in precarious times are no small feat

This year’s Busan Biennale, inspired by David Graeber’s notion of ‘pirate enlightenment’, offers a glimpse into a world where progress can only be found outside the West

Nicolas Bourriaud’s theme of ‘pansori’ suggests an opera you can walk through – but this only begins to take form at the Gwangju Biennale

In her new exhibition at Carpintaria, Rio de Janeiro, the São Paulo artist contrasts the city’s lush landscape to her hometown’s concrete geometry

Featuring an expanded video installation and wall-mounted works incorporating solar cells, the artist’s show at SCAI The Bathhouse, Tokyo, emphasizes presence