Reviews from around the world

Showing results 21-40 of 71

At Museum MACAN, Jakarta, the artists’ large-scale installations made of discarded objects capture the emotional resonances of overlooked communities

BY Hilary Thurlow |

An exhibition of video work at MoCA Taipei highlights the affinities between the regions but also the logistical hurdles that prevent full reciprocal exchange

BY Christopher Whitfield |

Created as a memorial to suffering, this year’s iteration sees a shift in both the exhibition and the city toward a new historiography

BY Park Jaeyong |

At the Australian Centre for Contemporary Art, Naarm/Melbourne, the artist’s videos, drawings and found objects engage subversive wordplay and internet culture to undermine gendered, racialized and colonial institutions

BY Hilary Thurlow |

At Galeria Luisa Strina, São Paulo, the artist recontextualizes artifacts from the country’s colonial and religious past

BY Camila Belchior |

The artist’s survey exhibition at Tel Aviv Museum of Art paints a nuanced picture of a life of itinerant creative production

BY Kimberly Bradley |

At MOCA Toronto, the artist presents research-driven sculptures and installations that explore relationships of mutual care and harm between humans and the environment

BY Neil Price |

Despite good intentions, a polyvocal exhibition at MACAAL, Marrakesh, reaffirms the Malagasy artist as the star of the show

BY Chloe Stead |

At Arario Gallery, Seoul, new and reformulated installations and photographs by the artist track the non-meaning generated by financial markets

 

BY Park Jaeyong |

At PHD Group, Hong Kong, the artist mourns her mother through sensorial installations that incorporate personal detritus

BY Ophelia Lai |

In the artist’s hometown of Mumbai, the Jehangir Nicholson Art Foundation presents a survey of her work contextualized within the broader artistic community of post-independence India

BY Emilia Terracciano |

At Gallery Baton, Seoul, the artist presents new paintings that are an analogue take on the LED installations for which he is best known

BY SooJin Lee |

At Nubuke Foundation, Accra, the artist’s mysterious paintings are laced with historical references and religious iconography

BY Vanessa Peterson |

At SCAI Piramide, Tokyo, six artists have selected previously unseen photographs by Akasegawa that reflect the dizzying range of his work and his trenchant critique of capitalism

BY Andrew Maerkle |

At Art Gallery of York University, Toronto, the multi-panel paintings and prints confront notions of subjecthood through theories of the subconscious

BY Xenia Benivolski |

A retrospective sheds light on the ’85 New Wave movement and the shaping of art between the conservatism of past and present

BY Paul Han |

Marking the centenary of the artist's birth, a retrospective at MMCA Deoksugung presents a survey of his most influential paintings and abstract sculptures

BY Liz Kim |

A major retrospective at M+, Hong Kong recounts the artist’s seven-decade career in her own words

BY Ophelia Lai |

At a retrospective at Museo de Arte Miguel Urrutia, Bogotá, 40 years of the collective’s work demonstrates their trans-disciplinary explorations of Colombian histories of violence and displacement

BY Jennifer Burris |

The artists’ installations of components retired from the whisky-distillation process explore sound, labour and materiality

BY Neil Price |