Contributor
Cassie Packard

Cassie Packard is a writer and assistant editor of frieze based in New York.

Performing at the Museum of Modern Art (MoMA), ‘If you unfolded us’ celebrates Black queer love and kinship that persist despite violent climates

BY Cassie Packard |

The artists use of avatars and digital doppelgangers explores labour and somatic memory

BY Cassie Packard |

An exhibition at Hauser & Wirth, New York, assembles the late artist’s sculptural work marked by a slow-burning strangeness that resists the potentially dampening effects of art-historical discourse

BY Cassie Packard |

Driven by an enduring fascination with acoustic arts, the LA-based artist explores the spatial and material dimensions of sound

BY Cassie Packard |

At Museum of the Moving Image, New York, a retrospective of the artist reveals an enchantment with technology’s possibilities and a disillusionment with its uses

BY Cassie Packard |

Cassie Packard reflects on the U.S. Supreme Court landmark decisions on copyright and its implications for artists

BY Cassie Packard |

For her homecoming show at Queens Museum, the artist's absurdist experiments draw attention to the systems that shape behaviour

BY Cassie Packard |

Using gay print magazines, the artist makes collages that imagine intersectional queer communities

BY Cassie Packard |

At Amant, Brooklyn, the women-led group show fluidly reimagines the mythological creature in a media-spanning exhibition

BY Cassie Packard |

A recent survey at the Williams College Museum of Art, Massachusetts, celebrates a career-long preoccupation with biomorphic forms

BY Cassie Packard |

An intimate show of 12 paintings at Salon 94, New York, showcases the Egyptian-born artist’s dreamlike tableaux 

BY Cassie Packard |

At Acquavella Galleries, ‘Erotic Abstraction’, curated by Eleanor Nairne, presents the works of both artists together for the first time

 

 

BY Cassie Packard |

The new documentary is packed with original footage and voice recordings from the late artist

BY Cassie Packard |

Premiering in the US and UK this month, Céline Sciamma’s lesbian period drama employs the myth of Orpheus to re-centre the female gaze

BY Cassie Packard |