Join us as we count down the defining works that have shaped contemporary art since 2000

The artistic director introduces Onassis Ready, the foundation’s newest space and its first ‘factory of dreams’

The inaugural Bukhara Biennial pairs artists with artisans and embeds works throughout the city’s historic centre, creating charming moments of local engagement

From a debut novel by Stephanie Wambugu to Maggie Nelson’s analysis of Taylor Swift and Sylvia Plath, the frieze team recommend the new books they’re most excited about

The artistic director on the launch of Kazakhstan’s first museum dedicated to contemporary art

The artistic director reflects on the festival’s expansion and her highlights ahead of its September opening 

The artist’s installations repurpose what others have discarded

‘The Oracle’ showcases non-human actors and explores art’s power to dream and demand freedom – but lacks clarity

The Kunstsammlung Nordrhein-Westfalen director on bringing the museum’s collection into the 21^st century

From Stephanie Comilang’s genre-defying filmic portrait of the pearl industry to Sakiya’s satirical reimagining of the seat of US power

The Argentine-Spanish director on hipster journalism, ignoring filmic conventions and why she’ll never be an actor

Senior Director Laura Attanasio discusses the mega gallery’s newest location

At Bozar, Brussels, the artist’s unsettling sculptures are replete with religious imagery

Four US curators on what these wide-ranging attacks mean for their institutions and communities

The Dia Art Foundation director discusses the forging of two leading cultural organizations

The artist’s latest film at Galerie Molitor, Berlin, captures a historic Spanish festival where villagers hurl vegetables at a devil

Resident Rosanna Dean on why Hackney Council should do more to support the arts

From James Benning’s depiction of a vanishing way of life to an adaptation of Deborah Levy’s 2016 novel ‘Hot Milk’

Other highlights include a documentary made by a Palestinian-Israeli collective and the return of The Libertines

Berlin-based curator Emma Enderby on her inaugural programme, budget cuts and tarot card readings